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In
December 1914 there appeared on the DePauw campus the first issue
of the Yellow Crab, a humor magazine sponsored by the journalism
fraternity, Sigma Delta Chi. Its editors announced that the journal
would accept no advertising and contain "nothing literary,
nothing serious, nothing sensible." Subsequent issues, published
irregularly over the next several years, became increasingly brash
and risqué, often provoking the sarne kind of official displeasure
as the boguses of an earlier era. In 1919 the faculty decreed that
no further numbers could be issued without approval by university
authorities. Despite this form of censorship the Yellow Crab continued
to be a lively student publication, excerpts from it appearing occasionally
in the national journal College Humor in the 1920s.
____________________________________________
Cover of the Yellow Crab in 1930. Controversial, clever
and
collegiate might be appropriate terms for this "notorious"
campus
humor magazine, particularly prominent in the "roaring
twenties."
___________________________________________
With its penchant for caricature and coarse humor, the magazine
was unable to avoid conflict with the university administration.
A former business manager, George Smock, has related how it successfully
met one such challenge in 1927. Called into the Dean's office to
receive a stern lecture on the offensive character of the current
issue, he contritely promised to halt further sales of the issue
and destroy all unsold copies. During his extended conference in
the administration building, however, his energetic business staff
had managed to distribute the entire printing run!
Finally, in the fall of 1932 the administration reacted to the ever
racier and more audacious contents of the Yellow Crab by suspending
its editors from the university. The national office of Sigma Delta
Chi went so far as to revoke its parent chapter's charter for a
time. Though the students involved were eventually reinstated and
the journalistic fraternity's charter restored, Yellow Crab never
resumed publication.
________________________________
Typical of Yellow Crab humor was
this cartoon depicting faculty in the
December, 1930 issue of the humor
magazine.
___________________________________
Less controversial was the DePauw Magazine, founded in the fall
of 1919 by Professor Raymond W. Pence as a means of encouraging
student literary expression. This quarterly journal contained a
variety of articles, short stories, poetry, and book reviews as
well as a few local advertisements to help pay printing costs. In
the early 1920s Doubleday, Page, & Company collaborated with
the editorial staff in the award of an annual O. Henry prize to
the student submitting the best short story. The prize consisted
of a complete leather-bound set of the collected works of William
Sydney Porter, who wrote under the pen name O. Henry. From 1935
to 1937 the DePauw Magazine was issued in a larger and more attractive
format, with a colorful cover and black and white illustrations.
Financial constraints, however, brought about its demise in the
latter year. It was not to be revived for nearly two decades.
Its successor, the Boulder, began publication in 1936, combining
the character of both a literary and a humor magazine. Somewhat
livelier than the DePauw Magazine, it boasted a handsome cover and
filled its pages with photographs, wood-block illustrations by student
art directors such as Don Booty, and short stories, poetry, a humor
column, and feature articles, often controversial in content. In
1941 the Boulder created a minor literary sensation by publishing
verses allegedly written by a former DePauw professor who had hidden
them in the belfry of East College before his mysterious death in
1889. The journal also included a fictitious biography and blurred
portrait of the poet. Editor Robert Hair and Professor Wisner Kinne
of the English department eventually confessed to the hoax, but
not before area newspapers had picked up the story and publicized
it far and wide. The Boulder survived the war years and lingered
on until 1952. While tending to become more of a general magazine
dealing with campus life during its later years, it retained a solid
literary section, where the early fiction of DePauw authors Jack
Kennedy and John Jakes appeared.
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